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Home > DiMAGE Master : Accurate RAW Processing

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DiMAGE Master
Specification

The newly developed RAW converter engine reproduces more accurate colors

DiMAGE Master uses a new 3-D lookup table (3D-LUT) technology to bring out the full potential of RAW data. This differs from the usual cookie-cutter method of uniformly processing image data by processing each data point through a three-dimensional model of the camera's CCD response. This optimizes image quality and color reproduction of the RAW data. DiMAGE Master provides a complete suite of RAW processing tools so you can create beautiful images.

<The superiority of RAW data>

RAW data contains the maxium amount of information the camera CCD can capture. At 12-bit and no loss of data through compression, RAW gives a real advantage over standard 8-bit JEPG images. The DiMAGE Master RAW processing tools bring out the full potential of the RAW data and gives complete control over image quality and reproduction.

<Color Management supports the best performance of output devices>

Color Space Selection allows you to specify the color space of the processed RAW data. As well as standard color spaces, the DiMAGE Master can use the color space specified by the camera's color mode or specific ICC profiles for output devices such as printers. DiMAGE Master allows you to confirm the model camera used to record the image as well as the color space used by the camera*.

*
Konica Minolta digital SLR camera and DiMAGE series supporting RAW files (ALPHA-7D/DYNAX 7D/MAXXUM 7D, DiMAGE A200/A2/A1/7Hi/7i/7/5)

The ICC profile for Konica Minolta Inkjet Paper QP is for various popular inkjet printers, and it is included in DiMAGE Master. Using Konica Minotla inkjet paper with DiMAGE Master makes obtaining professional-quality prints simple.

Work Flow Chart


Tools for complete RAW processing control

Tone Curves, Histogram, and Exposure Compensation

In addition to manual tone-curve corrections, ten preset tone curves can be selected to solve basic problems with contrast and brightness. Simply select the appropriate curve and the results are immediately displayed in the preview image. These curves can be adjusted manually if needed. A histogram allows data to be optimized for reproduction and an exposure-compensation slider controls brightness.

Tone Curves screen
Preset Tone Curves
  • Increase Contrast
  • Increase Contrast Slightly
  • Decrease Contrast
  • Decrease Contrast Slightly
  • Lighten Shadows
  • Darken Shadows
  • Darken Highlights
  • Lighten Highlights
  • Lighten Midtones
  • Darken Midtones

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White Balance for Accurate Color

The overall color of an image can be set by preset white-balance options or by directly inputting color-temperature and CC-index values. In complicated lighting conditions (mixed light sources, etc.), a new sampling tool allows the color balance of multiple points in the image to be averaged to create the best possible result. The Auto Precision Analysis option creates beautifilly balanced images quickly and efficiently. All these tools frees you in the field to capture the perfect moment without the need to worry over technical issues.

White Balance screen
Preset White Balance
  • Camera Settings
  • Daylight
  • Cloudy
  • Tungsten
  • White Fluorescent
  • Cool White Fluorescent
  • Daylight Fluorescent
  • 3-band White Fluorescent
  • 3-band Warm White Fluorescent
  • 3-band Cool White Fluorescent
  • 3-band Daylight Fluorescent

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Sharpness Tool for Genuine Soft Focus Processing

Sharpness is controlled with a simple slider, unsharp mask, or spatial frequency filtering. Spatial frequency filtering allows sharpness adjustments to be made at specific spatial frequencies. Preset spacial frequency filtering settings are available to sharpen or soften an image as well as to apply a soft-focus effect.

Sharpness Tool screen
Preset Spatial Frequency Filtering
  • Sharpen (Strong)
  • Sharpen (Normal)
  • Sharpen (Weak)
  • Soften (Strong)
  • Soften (Normal)
  • Soften (Weak)
  • Soft Focus (Strong)
  • Soft Focus (Normal)
  • Soft Focus (Weak)

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Filter and Color Effects for Natural Images

In the same way as using an LB or CC filter when taking a picture, the overall color of an image can be adjusted to achieve a natural, balanced appearance or accentuated for a creative effect. Black and white images can be toned in a range of hues with different levels of saturation. Digital contrast filters can also be applied to black and white images to simulate red, orange, yellow, green, and blue filtering in traditional black and white photography.

Filter and Color Effects

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Color Space Selection for Accurate Color Management

When converting RAW data into multi-platform TIFF or JPEG formats, the color space of the image can be specifed. Ten standard color spaces are available. The gamut of the selected color space can be displayed. DiMAGE Master can also use specific ICC profiles for output devices such as printers.

Color Space Settings
Color Spaces available at the time of file saving
  • Camera Settings
  • sRGB
  • Adobe RGB
  • PRO Photo RGB
  • Apple RGB
  • CIE RGB
  • ColorMatch RGB
  • NTSC
  • PAL/SECAM
  • SMPTE-C
  • Wide Gamut RGB
  • USE ICC Profile

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Dust Removal for Reducing Dust Effects

If dust on the CCD has affected the RAW data, it can be removed using a dust reference image* and DiMAGE Master dust removal processing.

Dust Removal
*
A flat-field image of a white target that shows the dust on the CCD. This image is subtracted from the original to remove the affect of dust.

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Examiner
Photofinisher
Accurate RAW Processing
Tone Curves and Exposure Tool
White Balance
Sharpness Tool
Filter and Color Effects
Color Space Selection
Dust Removal
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